Table of Contents:
I. Hell As News, II. Hell As Contents, III. Hell As Discussion. An Unfinished Project: Nadja Argyropoulou and Yorgos Tzirtzilakis in conversation on the context of Hell As Pavilion, IV. Hell As Laboratory, V. Hell As Diary: Nadja Argyropoulou, On the (Monstrous) Potential of Things that Don’t Work: Greek Art and Beyond, VI. Hell As Pavilion: Catalogue of Works, VII. Hell As Index, VIII. Hell As Insert: Typo-Topography of the Exhibition, IX. Hell As Film Appendix, X. Hell As Genealogy: Yorgos Tzirtzilakis, Sub-Modernity and the Aesthetics of Joy-Making Mourning. The Crisis Effect in Contemporary Greek Culture, XI. Hell As Poetics, XII. Hell As Biographies, XIII. Hell As Colophon.
Nadja Argyropoulou works as an independent curator based in Athens. Among others, she has curated Hotel Paradies the 2nd Athens Biennial (2009), Investigations of a Dog (FACE-DESTE Foundation, 2011), and co-curated The Marathon Marathon project with Hans Ulrich Obrist (2011). She is working as curator at the DESTE Foundation for Contemporary Art and was the assistant curator for the Greek Pavilion at the 2005 and 2007 Venice Biennials. She has curated reviews of Greek art, such as What Remains is Future for Patras-Cultural Capital of Europe (2006) and recently Ντέρτι Humanism in London (2011) and Lustlands in Greece (2012). She has written reviews and texts for solo and group exhibitions.
Ο Γιώργος Τζιρτζιλάκης είναι επίκουρος καθηγητής στο Τμήμα Αρχιτεκτόνων του Πανεπιστημίου Θεσσαλίας και καλλιτεχνικός σύμβουλος του Ιδρύματος ΔΕΣΤΕ.
Επιμελήθηκε εκθέσεις σύγχρονης τέχνης και αρχιτεκτονικής, εκδόσεις, μονογραφίες, ειδικά αφιερώματα και δημοσίευσε άρθρα σε περιοδικά, συλλογικούς τόμους και καταλόγους εκθέσεων στην Ελλάδα και το εξωτερικό.